77 10 2543 https://collections.ukrfolk.ca/files/original/a6be67ab9324083f48516c38c8cd92d4.jpg 5357ff4504488da722a022d83f0ece2b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ukrainian music on 78 rpm records collection Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Issue # Used primarily for phonograph records. 79429-A 79429-B Physical condition Fair condition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context UF2002.043.g010 Title A name given to the resource Taka ii dolia (Such is Her Fate) / Kari ochi (Brown Eyes) Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Taka Yeye Dolia / Kari Ochi Creator An entity primarily responsible for making the resource Sashko, Alexander Sashko Aleksander Bonkovki Bonkowky Publisher An entity responsible for making the resource available RCA Victor Medium The material or physical carrier of the resource. 1 sound disc : analog, 78 rpm record, 10 in. Type The nature or genre of the resource Sound recording https://collections.ukrfolk.ca/files/original/299e6c9dcaa16ad60c45a2c8a1f1ba38.jpg 2611f26e86236442a414ff0651e36550 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2022.004.033.a029 Physical Dimensions The actual physical size of the original image overall: 42 cm x 29 cm Place created North America: Canada, Manitoba, Winnipeg Location The actual location of the item Textiles: Case 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 1 item Type The nature or genre of the resource pillowcase Title A name given to the resource Embroidered pillowcase Description An account of the resource A medium pillowcase in a hutsul diamond-like pattern down the middle is framed in bands of alternating green, red and yellow strips finishing with perimeters of black triangular designs with colourful accents. Embroidery stitch: satin stitch. Creator An entity primarily responsible for making the resource Savedchuk, Stephania (1922 Ukraine) Date Created Date of creation of the resource. ca. 1970 Source A related resource from which the described resource is derived Gift of Lesia Savedchuk https://collections.ukrfolk.ca/files/original/bc8898c36dfe4ad25e56b936306359a3.jpg cd4afd5afa0a6b89331a05930ac3c119 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2022.004.033.a034 Physical Dimensions The actual physical size of the original image overall: 40 cm x 30 cm Place created North America: Canada, Manitoba, Winnipeg Location The actual location of the item Textiles: Case 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 1 item Type The nature or genre of the resource pillowcase Title A name given to the resource Embroidered pillowcase Description An account of the resource A pillowcase embroidered with a Poltava region pattern of alternating floral and diamond designs down the middle, framed in two rows of geometric designs, all in black and red cross stitch. The pillowcase is fastened along the long side with a zipper. Creator An entity primarily responsible for making the resource Savedchuk, Stephania (1922 Ukraine) Date Created Date of creation of the resource. ca. 1970 Source A related resource from which the described resource is derived Gift of Lesia Savedchuk https://collections.ukrfolk.ca/files/original/0ad40494a709d544ce4cd1f30c1cadac.jpg 063280ca97f1eb6cca7200bf712acd30 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2022.004.033.a035 Physical Dimensions The actual physical size of the original image overall: 48 cm x 57 cm Place created North America: Canada, Ontario, Toronto Location The actual location of the item Box: Textile 10 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 1 item Type The nature or genre of the resource pillowcase Title A name given to the resource Embroidered pillowcase Description An account of the resource A large pillowcase, entirely embroidered on one side in diamond, star, and ladder-like patterns of green, yellow, red and black cross stitch. Creator An entity primarily responsible for making the resource Sawchuk, Olena Date Created Date of creation of the resource. ca. 1950 Source A related resource from which the described resource is derived Gift of Lesia Savedchuk https://collections.ukrfolk.ca/files/original/8a1c353b372b7789d0adcbcebec16044.JPG 9c0a4a3a53694a35cbb1095f8ecb7d85 https://collections.ukrfolk.ca/files/original/3580362c490eedbaf57c483ec381ffee.JPG dca702d289109830b86b1822d3cc3d54 https://collections.ukrfolk.ca/files/original/3d08e5b7a6263f786e4a56f7ed9dc4ed.JPG 6deee505e591fc3e961526607554f6d8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created North America: Canada Materials cotton (textile) polyester (fiber) Field colours white Techniques machine-made Decorative techniques screen printing Décor colours blue yellow Physical Dimensions The actual physical size of the original image overall: 70 cm x 84 cm Location The actual location of the item Textiles: Case 2, Shelf 4 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.008.a007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Souvenir T-shirt Creator An entity primarily responsible for making the resource Screen Stars Best Description An account of the resource White souvenir T-shirt with blue and yellow graphics and lettering. In the centre is a circular logo. The top half is blue and the bottom half is yellow. “100” is centred on the logo. At the top of the logo in yellow is “CELEBRATE” and at the bottom in blue is “ЛіТТЯ” [Years]. Below the logo, separated by a blue square is blue lettering reading “100- ЛіТТЯ УКРАЇНЦІВ У КАНАДІ” [100th Anniversary of Ukrainians in Canada], “CENTENNIAL OF UKRAINIANS IN CANADA”, “CENTENAIRE DES UKRAINIENS AU CANADA”. The sleeve on the viewer’s right has a blue “Creative Concepts” logo. Blue lettering at the top of the verso reads “UKRAINIAN CENTENNIAL RUN”. Below the lettering is a grid featuring the logos of ten sponsors. Size: XL. Manufactured by Screen Stars Best, Canada. Type The nature or genre of the resource T-shirt Extent The size or duration of the resource. 1 item Source A related resource from which the described resource is derived Gift of Jason Golinowski https://collections.ukrfolk.ca/files/original/edf8aa8d5a92d5dd4e18fa8392f25a84.jpg 02e05e0559528e4e39d47ac23402a10c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ukrainian music on 78 rpm records collection Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Issue # Used primarily for phonograph records. 11651 11656 Publisher Place A name of the place where a resource has been published USSR Physical condition Good condition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context UF1991.011.g198 Title A name given to the resource Nanny-goat / The Cossack took to drinking Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Kosa / Oi, zapyv Kozak Creator An entity primarily responsible for making the resource Sekstet domr, conductor N. Nekrasov, I. Patorzhinsky Publisher An entity responsible for making the resource available Aprelevskii Zavod Medium The material or physical carrier of the resource. 1 sound disc : analog, 78 rpm record, 10 in. Type The nature or genre of the resource Sound recording https://collections.ukrfolk.ca/files/original/2f3bb9567343d04ce536e7c0564e3ae0.jpg d1fb709ac32ad6f97c425ac71df6ed72 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ukrainian music on 78 rpm records collection Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Issue # Used primarily for phonograph records. 3247 A 3247 B Publisher Place A name of the place where a resource has been published Europe Physical condition Good condition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context UF2004.081.g048 Title A name given to the resource Perelesky Perekaty / Wozle Retchky Creator An entity primarily responsible for making the resource Selivanov, V. Publisher An entity responsible for making the resource available Stinson Records Medium The material or physical carrier of the resource. 1 sound disc : analog, 78 rpm record, 10 in. Type The nature or genre of the resource Sound recording https://collections.ukrfolk.ca/files/original/49be71e24d627c656e7052e72f468a91.jpg c126a080d0340ec726b05fdbe7140e90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ukrainian music on 78 rpm records collection Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Issue # Used primarily for phonograph records. LB.384 LB.385 LI. 55132 Physical condition Fair condition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context UF2000.045.g060 Title A name given to the resource Witch Doctor / Don't Whistle at me Baby Creator An entity primarily responsible for making the resource Selville, David Bagdasarian, R. Waronker Publisher An entity responsible for making the resource available London Records Medium The material or physical carrier of the resource. 1 sound disc : analog, 78 rpm record, 10 in. Type The nature or genre of the resource Sound recording https://collections.ukrfolk.ca/files/original/c532bd1dca9790cd404c7346abae1faa.jpg efe02e80347639b1a1745210c4b826ce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2014.013.a017 Physical Dimensions The actual physical size of the original image overall: 37 cm x 37 cm Place created North America: Canada, Alberta, Edmonton Location The actual location of the item Textiles: Box: Faculty Club Malanka Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 1 item Type The nature or genre of the resource kerchief Title A name given to the resource Male Roma ("Gypsy") kerchief Description An account of the resource Male Roma ("Gypsy") head scarf – navy blue square tied in two corners. Creator An entity primarily responsible for making the resource Sembaliuk, Meron Sembaliuk, Paul Date Created Date of creation of the resource. 1988 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This small kerchief was made in December of 1988 by Paul Sembaliuk and his son Meron Sembaliuk. It was worn by one of the mummers that performed at the January 1989 faculty Club Malanka at the University of Alberta. Source A related resource from which the described resource is derived Gift of Larisa Sembaliuk Cheladyn https://collections.ukrfolk.ca/files/original/cdb0645e65f56357a17d97cc5ea7b238.jpg 9309d1cbe791da21f03c73a98bcce307 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF1998.041.a008 Physical Dimensions The actual physical size of the original image overall: 72 cm x 32 cm Place created North America: Canada Location The actual location of the item Textiles: Case 1, Box: Textile 6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 1 item Type The nature or genre of the resource towel Title A name given to the resource Souvenir towel Description An account of the resource Souvenir white hand towel with the word "DUNAI" printed in purple on one side. Creator An entity primarily responsible for making the resource Sembaliuk, Paul Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This towel was created as a souvenir by the Dunai Ukrainian Dancers of Edmonton, AB. The towels were distributed to all the dancers who participated in the 1996 tour. The towel was designed and printed by Paul Sembaliuk. Source A related resource from which the described resource is derived Gift of Andriy Nahachewsky