69 10 2543 https://collections.ukrfolk.ca/files/original/086962cf9c2eaaf9636aa5d8b4b31aa9.jpg dbfd7d776f2f885b4f26291d86ae4b64 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2013.045.a055 Materials wool Physical Dimensions The actual physical size of the original image overall: 236 cm x 154 cm Place created Europe: Ukraine Note Audio tape: Onu-13 39:19 Location The actual location of the item Textiles: Case 2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 1 item Type The nature or genre of the resource fabric Title A name given to the resource Fabric Description An account of the resource Hand-woven fabric with "Plakhta" pattern. The square motif that repeats itself forms a grid. Edges are finished. Was used as a throw blanket. Colours: black, beige, gold. Source A related resource from which the described resource is derived Gift of Roman Onufrijchuk Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Purchased by Roman Onufrijchuk at the Ukrainian Bookstore in Edmonton, AB. https://collections.ukrfolk.ca/files/original/2c6e34b06bdb93fa93d93bddb42cc432.jpg 02c1a2ac7b81da8e83e1c18286402dd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2000.028.a027 Physical Dimensions The actual physical size of the original image overall: 68 cm x 68 cm Location The actual location of the item Textiles: Case 3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 1 item Type The nature or genre of the resource banner Title A name given to the resource Fabric banner Description An account of the resource Large white fabric banner from a conference held in Czechoslovakia. Stylized graphic image is printed in red and features various artforms integrated with the letters KCYT 35. Artist is В. Бобак (V. Bobak). Source A related resource from which the described resource is derived Gift of Andriy Nahachewsky https://collections.ukrfolk.ca/files/original/d204f1e4a5af5e484085ee92d3abb67f.jpg 0a9460f19e1e5997becad66ecb5aad44 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2000.028.a028 Physical Dimensions The actual physical size of the original image overall: 68 cm x 68 cm Location The actual location of the item Textiles: Case 3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 1 item Type The nature or genre of the resource banner Title A name given to the resource Fabric banner Description An account of the resource Large white fabric banner from a conference held in Czechoslovakia. The stylized graphic image is printed in blue and features various artforms integrated with the letters KCYT 35. Artist is В. Бобак (V. Bobak). Source A related resource from which the described resource is derived Gift of Andriy Nahachewsky https://collections.ukrfolk.ca/files/original/289c085914fdfe9014ea1a48778be986.jpg 9a3eb069a5ec71077979427e419c3563 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2000.062.a006 Physical Dimensions The actual physical size of the original image overall: 70 cm x 58 cm Place created North America: Canada Location The actual location of the item Textiles: Case 3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 2 items Type The nature or genre of the resource fabric Title A name given to the resource Fabric for hutsul skirt (zapaska) Description An account of the resource Two pieces of woven fabric for an unfinished wrap-around skirt (zapaska) for a woman's Hutsul costume. Primarily orange in colour with a horizontal weave incorporating threads of brown, red and yellow. One piece is for the front panel the other for the back. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This fabric was probably left over from stage costumes sewn by Kim Nahachewsky for a Hutsul themed dance. Source A related resource from which the described resource is derived Gift of Andriy Nahachewsky https://collections.ukrfolk.ca/files/original/bf5028e16c56f704999225d2522c9108.jpg 8676bf27fe5cb34cb99f25af528c75f0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ukrainian music on 78 rpm records collection Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Issue # Used primarily for phonograph records. 113272 113271 23705-F Physical condition Fair condition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context UF2008.020.r004 Title A name given to the resource Farmers'ka Kolomyika / Borodata Kolomyika Creator An entity primarily responsible for making the resource Ukrains'ka Orchestra Pawla Humeniuka Publisher An entity responsible for making the resource available Columbia Medium The material or physical carrier of the resource. 1 sound disc : analog, 78 rpm record, 12 in. Type The nature or genre of the resource Sound recording https://collections.ukrfolk.ca/files/original/7b145f2216ea7aa262e41d6514daf664.jpg c33b6b928c39d320f2394c40855e72be https://collections.ukrfolk.ca/files/original/c7f44df397948f2bea35bd3f7d4a4164.jpg 33811fb47a816b43b92c6143942365a8 https://collections.ukrfolk.ca/files/original/0053e77d4d49828608c13b3fa4412711.jpg 86db8330cdf234786709eba093366f27 https://collections.ukrfolk.ca/files/original/664228345a2f53dc16afdf88180d7063.pdf aa8a62cc31be4c649736dc9be96b78ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sluzar Music Score Collection Creator An entity primarily responsible for making the resource Rev. Wolodymyr Sluzar Language A language of the resource Mostly Ukrainian, some items are in Church Slavonic, English, German, Greek, Latin, Polish or Russian Description An account of the resource The Sluzar Music Score is a collection of over 1,600 handwritten, copied and printed sheet music items and musical scores, and it contains more than 2,500 individual songs. The collection was donated to the Bohdan Medwidsky Ukrainian Folklore Archives at the University of Alberta in 2011 by Dr. Roman Sluzar, son of late Reverend Wolodymyr Sluzar. This phase of the project focuses on the approximately 500 handwritten scores. <h4> Who can benefit from the Sluzar Music Score collection?</h4> Anyone! For the performer and music lover alike, this collection is a veritable treasure trove of information and musical enjoyment. Choir directors, music enthusiasts and fans of Ukrainian music are welcome to use this special collection and perform these unique pieces of composition. <h4> Content</h4> This collection contains a unique variety of musical genres – from folk songs to opera and operetta scores, and from classical to liturgical and spiritual songs. Most of the pieces are arranged for choral performance; however, many solos, duets, quartets, and even instrumental arrangements are included as well. <h4> History and Scope</h4> The collection spans nearly a century in its compositions and publications, from the late 1800s to the end of the 20th century. Its songs reflect the incredibly rich historical legacy of the Ukrainian people and chronicle events from Cossack and chumak times all the way to the World Wars of the 1900s. The collection also strongly reflects the customs and traditions of the Ukrainian people through its assortment of folk songs – from hahilky and Kupalo songs to koliadky and shchedrivky. Moreover, the Sluzar Music Fonds does not exclusively house Ukrainian music; it also includes songs written in Russian, Latin, Church Slavonic, Polish, German, and Greek. The handwritten items in the collection are particularly beautiful, and many of them contain meticulous and detailed annotations about the items’ origins and date of creation. For instance, one handwritten booklet sports the note: “1.5.1950, 10:45pm” (item 60), while another boasts that it was “written: 24/XII at 9pm-2am, 1943” (item 568). <h4>Reverend Wolodymyr Sluzar</h4> Rev. Wolodymyr Sluzar was born in Chunkiv, Bukovyna in 1895 and immigrated to Canada in 1923. He was ordained shortly after his arrival and served in several parishes in Saskatchewan before moving to Montreal to establish the first Ukrainian Orthodox parish in Eastern Canada. He retired in 1972 and died in December of 1976. As well as being an ordained priest, Rev. Sluzar was a choral conductor, and so his personal collection of sheet music is extensive. Aside from his music score collection, the Bohdan Medwidsky Ukrainian Folklore Archives acquired Rev. Sluzar's music library that contains hundreds of publications about Ukrainian music, composers, collections of songs, etc. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant late 1800s to the end of the 20th century Is Part Of A related resource in which the described resource is physically or logically included. Sluzar Fonds Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Dr. Roman Sluzar, son of Rev. Wolodymyr Sluzar donated the collection to the Bohdan Medwidsky Ukrainian Folklore Archives in 2011. Identifier An unambiguous reference to the resource within a given context Accession number: UF2011.66 Music Score Custom type for the Ukrainian Folklore Archives First Line First line of the song in the original language Fericit barbatul carele n'a umblat First line transliterated Transliteration of the first line according to the Library of Congress transliteration rules, if the original is in non-Latin alphabet (e.g. Ukrainian) Fericit barbatul carele n'a umblat Medium of Performance Voices and instruments used in the piece of music choral (mixed) Time Signature 4/4 Starting Tempo moderato Key F maj Note Melodie traditionala, dupa 47. Pretul loan Czincoca. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2011.66.t145 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fericit barbatul - Psalm I Language A language of the resource Latin Format The file format, physical medium, or dimensions of the resource Handwritten Subject The topic of the resource sacred music church services psalteries worship prayer https://collections.ukrfolk.ca/files/original/37430b6b8370a749af47a5529d8d4eb4.jpg 9a149af57847c8880d8305a7e3f75ef2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Artifacts Collection Description An account of the resource The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups. The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets. The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles. This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians. Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history. BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions. Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1920-2020 Extent The size or duration of the resource. 315 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created North America: Canada, Alberta, Andrew Decorative techniques screen printing Physical Dimensions The actual physical size of the original image overall: 10 cm x 4 cm x 3 cm Location The actual location of the item Artifacts: Case 4, Shelf 1, Box 22 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2022.004.a051 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Figurine "Baba's Borshch" Date Created Date of creation of the resource. 2010s Description An account of the resource Red souvenir figurine is reminiscent of a matryoshka doll (a Russian symbol). It has an inscription in front "Babas and Borshch.com Ukrainian Festival." Zig-zag lines at the bottom imitate embroidery. https://collections.ukrfolk.ca/files/original/f184ab3ef21ad89e076944604e2e64a0.jpg 315c4a51ebd3bb8199b0b0b545f0b8eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Artifacts Collection Description An account of the resource The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups. The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets. The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles. This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians. Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history. BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions. Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1920-2020 Extent The size or duration of the resource. 315 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Techniques molding (forming) Decorative techniques painting (coating) Physical Dimensions The actual physical size of the original image overall: 6 cm x 5 cm x 3 cm Location The actual location of the item Artifacts: Case 4, Shelf 1, Box 22 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2009.059.a117 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Figurine of a kozak with varenyky Description An account of the resource Souvenir figurine depicting a kozak with his hands resting on top of a container of varenyky. https://collections.ukrfolk.ca/files/original/bd8f37ce2c057836269625c2a9e64a66.jpg ec470b0bcc3f4528b41b6b9dd57cd79e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Artifacts Collection Description An account of the resource The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups. The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets. The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles. This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians. Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history. BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions. Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1920-2020 Extent The size or duration of the resource. 315 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created North America: Canada, Manitoba, Winnipeg Materials ceramic Techniques molding (forming) Physical Dimensions The actual physical size of the original image overall: 9 cm x 5.5 cm x 4.5 cm Location The actual location of the item Artifacts: Case 5, Shelf 2, Box 8 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2009.059.a116 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Figurine of a laughing cossack Description An account of the resource Small light red ceramic figurine. The figure depicts a laughing Cossack. He stands straight and is covering his face with his left hand. https://collections.ukrfolk.ca/files/original/c78b4d2a633878b186e13b0daed82c37.jpg 44bca679c8ec72ac77bd9e18bef2be2c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Artifacts Collection Description An account of the resource The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups. The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets. The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles. This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians. Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history. BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions. Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1920-2020 Extent The size or duration of the resource. 315 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created North America: Canada, Manitoba, Winnipeg Materials ceramic Techniques molding (forming) Physical Dimensions The actual physical size of the original image overall: 5.5 cm x 4.5 cm x 4 cm Note A brief description of provenance was on a yellow paper next to the figurines Location The actual location of the item Artifacts: Case 5, Shelf 2, Box 8 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2009.059.a115 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Figurine of a sleeping cossack Description An account of the resource Small dark red ceramic figurine. The figure depicts a seating Cossack who is yawning. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. These small figurines were presented at the exhibition in Winnipeg Art Gallery. Elisa Washinski managed to receive these objects via a person, who was involved in the exhibition. Later presented them to Bohdan Medwisky