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                <text>Frantsuzskaia pol'ka (Francuzska Polka)</text>
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                <text>Oi Za Hory Hory i Vykopav Ia Krynychen'ky / Divka V Siniakh Stoiala</text>
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                <text>Kyivs'kyi Ukr. Khor o-va " Prosvita '</text>
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&#13;
The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets.&#13;
&#13;
The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles.&#13;
&#13;
This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians.&#13;
&#13;
Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history.&#13;
&#13;
BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions.</text>
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              <text>overall: 22 cm diameter x 0.3 cm</text>
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                <text>Black wooden decorative plate with a bird in the middle on a black background. Petrykivka painting. Artist Kyrylenko.</text>
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&#13;
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&#13;
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&#13;
This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians.&#13;
&#13;
Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history.&#13;
&#13;
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      <name>Physical Object</name>
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          <name>Place created</name>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>overall: 17.5 cm x 12 cm x 7 cm</text>
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          <name>Location</name>
          <description>The actual location of the item</description>
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              <text>Artifacts: Case 5, Shelf 1, Box 2</text>
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          <name>Accession Number</name>
          <description>A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives</description>
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              <text>UF2009.059.a014</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Traditional kosiv pitcher "Kumanets"</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>L. Del's'ka</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>1989</text>
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            <name>Description</name>
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                <text>Souvenir "kumanets". A small ceramic pitcher that is shaped like a standing donut that is filled from the top.</text>
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      <name>Sound</name>
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          <name>Issue #</name>
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          <description>A name of the place where a resource has been published</description>
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              <text>USSR</text>
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            <name>Identifier</name>
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                <text>UF1991.011.g158</text>
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            <description>A name given to the resource</description>
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                <text>One hill is high / A man is sowing rye</text>
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                <text>Odna hora vysokaya / Cholovik siie zhyto</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>L. Rzhets'ka, M. Romensky</text>
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            <name>Publisher</name>
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                <text>Aprelevskii Zavod</text>
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            <description>The material or physical carrier of the resource.</description>
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                <text>1 sound disc : analog, 78 rpm record, 10 in.</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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      <description>A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds.</description>
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          <name>Issue #</name>
          <description>Used primarily for phonograph records.</description>
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              <text>USA</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>UF1991.011.g022</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Oy Tam Pid Lisom / Hey Stepamy</text>
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            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>By The Forest / UPA In The Steppes</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Lampika, L.</text>
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                <text>Octet of Banduryst Under Direction of Stephen Hanushewsky</text>
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                <text>Maliuca, S.</text>
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                <text>Surma</text>
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                <text>1 sound disc : analog, 78 rpm record, 10 in.</text>
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              <description>An account of the resource</description>
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                  <text>The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups.&#13;
&#13;
The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets.&#13;
&#13;
The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles.&#13;
&#13;
This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians.&#13;
&#13;
Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history.&#13;
&#13;
BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Various</text>
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              <description>Date of creation of the resource.</description>
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                  <text>1920-2020</text>
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              <description>The size or duration of the resource.</description>
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          <name>Place created</name>
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              <text>overall: 17.5 cm x 20 cm x 7 cm</text>
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              <text>Artifacts: Case 5, Shelf 1, Box 2</text>
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          <name>Accession Number</name>
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              <text>UF2002.040.a004</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Souvenir table clock</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Lanshire</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>1960s</text>
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                <text>Сeramic souvenir clock in the shape of a snail. The side and back are brown. The front part is decorated with a black and white pattern in the form of a ribbon with a geometric motif. In the center is a dial with Roman numerals on a white background. A white wire is connected to the clock.</text>
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              <description>A name given to the resource</description>
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                  <text>Ukrainian music on 78 rpm records collection</text>
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          <description>Used primarily for phonograph records.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>UF2000.045.g070</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>De Ty Brodish Moya Dole (Duet From Opera "Viy") / Koly Rozluchayutsia Dwoye</text>
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            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>Where Do You Wander, My Fate / When Two Are Parting</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Laptiw K. M.</text>
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              <elementText elementTextId="80946">
                <text>Kromchenko S. M.</text>
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              <elementText elementTextId="80947">
                <text>Kropyvnyts'kyi, M.</text>
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              <elementText elementTextId="80948">
                <text>Kropivnitsky, M.</text>
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                <text>Lysenko, M.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Stinson Records</text>
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          <element elementId="95">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="80953">
                <text>1 sound disc : analog, 78 rpm record, 10 in.</text>
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            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound recording</text>
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        <src>https://collections.ukrfolk.ca/files/original/e4754070dd062bf1d11f59b9b5339242.jpg</src>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>BMUFA Artifacts Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups.&#13;
&#13;
The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets.&#13;
&#13;
The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles.&#13;
&#13;
This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians.&#13;
&#13;
Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history.&#13;
&#13;
BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Various</text>
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            <element elementId="72">
              <name>Date Created</name>
              <description>Date of creation of the resource.</description>
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                  <text>1920-2020</text>
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            <element elementId="94">
              <name>Extent</name>
              <description>The size or duration of the resource.</description>
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                  <text>315 objects</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Place created</name>
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              <text>Asia: Russia</text>
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              <text>wood</text>
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              <text>painting (image-making)</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>overall: 6.5 cm diameter x 3.5 cm</text>
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          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The actual location of the item</description>
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              <text>Artifacts: Case 4, Shelf 3, Box 34</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <name>Accession Number</name>
          <description>A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives</description>
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              <text>UF2009.059.a002</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Souvenir jewelry box</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Latishchev A.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Small black souvenir round lacquered handmade jewelry box. The cover is hand-painted and features the Golden Gate in Kyiv and churches on the background of the red sky. The inner part is red, and the bottom is covered with blue fabric. This item belongs to Russian Kholuy miniatures. The signature reads "п.Холуй Золотые Ворота Латыщев А" [Village Kholuy Golden Gate Latyshchev A].</text>
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