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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Sluzar Music Score Collection</text>
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                  <text>Rev. Wolodymyr Sluzar</text>
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                  <text>Mostly Ukrainian, some items are in Church Slavonic, English, German, Greek, Latin, Polish or Russian</text>
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              <name>Description</name>
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                  <text>The Sluzar Music Score is a collection of over 1,600 handwritten, copied and printed sheet music items and musical scores, and it contains more than 2,500 individual songs. The collection was donated to the Bohdan Medwidsky Ukrainian Folklore Archives at the University of Alberta in 2011 by Dr. Roman Sluzar, son of late Reverend Wolodymyr Sluzar. This phase of the project focuses on the approximately 500 handwritten scores.&lt;br /&gt;&lt;h4&gt;&lt;br /&gt;Who can benefit from the Sluzar Music Score collection?&lt;/h4&gt;
&lt;p&gt;Anyone! For the performer and music lover alike, this collection is a veritable treasure trove of information and musical enjoyment.  Choir directors, music enthusiasts and fans of Ukrainian music are welcome to use this special collection and perform these unique pieces of composition.&lt;/p&gt;
&lt;h4&gt;&lt;br /&gt;Content&lt;/h4&gt;
&lt;p&gt;This collection contains a unique variety of musical genres – from folk songs to opera and operetta scores, and from classical to liturgical and spiritual songs. Most of the pieces are arranged for choral performance; however, many solos, duets, quartets, and even instrumental arrangements are included as well. &lt;/p&gt;
&lt;h4&gt;&lt;br /&gt;History and Scope&lt;/h4&gt;
&lt;p&gt;The collection spans nearly a century in its compositions and publications, from the late 1800s to the end of the 20th century. Its songs reflect the incredibly rich historical legacy of the Ukrainian people and chronicle events from Cossack and chumak times all the way to the World Wars of the 1900s. The collection also strongly reflects the customs and traditions of the Ukrainian people through its assortment of folk songs – from hahilky and Kupalo songs to koliadky and shchedrivky. Moreover, the Sluzar Music Fonds does not exclusively house Ukrainian music; it also includes songs written in Russian, Latin, Church Slavonic, Polish, German, and Greek. &lt;/p&gt;
&lt;p&gt;The handwritten items in the collection are particularly beautiful, and many of them contain meticulous and detailed annotations about the items’ origins and date of creation. For instance, one handwritten booklet sports the note: “1.5.1950, 10:45pm” (item 60), while another boasts that it was “written: 24/XII at 9pm-2am, 1943” (item 568). &lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;h4&gt;Reverend Wolodymyr Sluzar&lt;/h4&gt;
&lt;p&gt;&lt;span&gt;Rev. Wolodymyr Sluzar was born in Chunkiv, Bukovyna in 1895 and immigrated to Canada in 1923. He was ordained shortly after his arrival and served in several parishes in Saskatchewan before moving to Montreal to establish the first Ukrainian Orthodox parish in Eastern Canada. He retired in 1972 and died in December of 1976. As well as being an ordained priest, Rev. Sluzar was a choral conductor, and so his personal collection of sheet music is extensive.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Aside from his music score collection, the Bohdan Medwidsky Ukrainian Folklore Archives acquired Rev. Sluzar's music library that contains hundreds of publications about Ukrainian music, composers, collections of songs, etc.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>late 1800s to the end of the 20th century</text>
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                  <text>Sluzar Fonds</text>
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                  <text>Dr. Roman Sluzar, son of Rev. Wolodymyr Sluzar donated the collection to the Bohdan Medwidsky Ukrainian Folklore Archives in 2011.</text>
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                  <text>Accession number: UF2011.66</text>
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              <text>Оришка, Антін, Господь, Бог, Кукса, Дранко, Степан, Максим, Гандзя, Горпина, Василь, Нечипір, Орися&#13;
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            <description>A name given to the resource</description>
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                <text>Перехитрили&#13;
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            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>Perekhytryly&#13;
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            <description>The topic of the resource</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Kropyvnyts'kyi, Marko</text>
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                <text>Aprelevskii Zavod</text>
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                <text>Ukrains'ka Kapelia Bandurystiv im. Tarasa Shevchenka: Christmas Bells / God Eternal</text>
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                <text>Shchedrivka - Rizdviani Dzvony / Koliada - Boh Predvichnyi</text>
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                <text>Kucher, W.</text>
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                <text>Ukrainian Bandurist's Chorus</text>
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                <text>Bozhyk, Volodymyr</text>
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                <text>Ukrainian Bandurist's Chorus</text>
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                  <text>Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. &lt;br /&gt;&lt;br /&gt;The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. &lt;br /&gt;&lt;br /&gt;A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. &lt;br /&gt;&lt;br /&gt;The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. &lt;br /&gt;&lt;br /&gt;A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;(Description created 2022-11-18 by AN)&lt;/em&gt;</text>
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                <text>Souvenir T-shirt celebrating the 100th anniversary of Ukrainians in Canada. Blue T-shirt with a graphic of a Polar Bear wearing an embroidered shirt and green robe, holding a sword and the anniversary logo. Text is trilingual in capital letters and reads: ''1891 ∙ 1991 1892 ∙ 1992 100-ЛІТТЯ УКРАЇНЦІВ У КАНАДІ ∙ CENTENNIAL OF UKRAINIANS IN CANADA ∙ CENTENAIRE DES UKRAINIENS AU CANADA''. Size: L. Designed and printed by KUSTOM SCREENWORKS 1991. Manufactured by BEEFY-T by Hanes.</text>
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                <text>Gift of Andriy Nahachewsky</text>
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                  <text>Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. &lt;br /&gt;&lt;br /&gt;The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. &lt;br /&gt;&lt;br /&gt;A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. &lt;br /&gt;&lt;br /&gt;The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. &lt;br /&gt;&lt;br /&gt;A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;(Description created 2022-11-18 by AN)&lt;/em&gt;</text>
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              <name>Extent</name>
              <description>The size or duration of the resource.</description>
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                  <text>726 objects</text>
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      <name>Physical Object</name>
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          <name>Accession Number</name>
          <description>A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives</description>
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              <text>UF2001.137.a010</text>
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          <description>The actual physical size of the original image</description>
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              <text>overall: 56 cm x 80 cm</text>
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          <description>The actual location of the item</description>
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              <text>Textiles: Case 2, Box: Clothing 7</text>
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            <description>The size or duration of the resource.</description>
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                <text>Souvenir T-shirt</text>
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            <description>An account of the resource</description>
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                <text>Children's T-shirt commemorating the centennial of Ukrainians in Canada. Featuring a graphic of a polar bear and a beaver dressed in Ukrainian embroidered shirts dancing a Ukrainian Men's step. The text under the graphic reads: ''Centennial of Ukrainians in Canada 1891-1991/1892-1992'', and the centennial logo. Size: Children's L. Manufactured by Hanes. Designed and Printed by Kustom Screenworks 1991.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Kustom Screenworks, Calgary, AB</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Probably worn by Andriy's son Lukash Nahachewsky.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Andriy Nahachewsky</text>
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          <name>Issue #</name>
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              <text>15534-A</text>
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            <name>Identifier</name>
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                <text>UF1991.011.g262</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Oi Chomyzh Ty Ne Takyi / Iak Zachuiu Kolomyiku</text>
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                <text>Oi chomuj ti ne takii / Jak zachuiu kolomiiku</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Kvartet Pavla Humeniuka</text>
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                <text>Paul Humeniuk's Quartett</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>OKeh</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>1 sound disc : analog, 78 rpm record, 10 in.</text>
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            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
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                <text>UF1991.011.g140</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Oi Ne Shumy Luzhe Duzhe / Sokolom Striloiu</text>
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            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>Oj. Ne Szumy Luze Duze / Sokolom Striloju</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Kwartet "Halyckyj Bojan"</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Columbia</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>1 sound disc : analog, 78 rpm record, 10 in.</text>
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            <name>Type</name>
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