239 10 2543 https://collections.ukrfolk.ca/files/original/095cd1c7700b8d52b99bd1e53bc286f7.jpg 386a7793366c347629521d2f54e11937 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Artifacts Collection Description An account of the resource The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups. The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets. The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles. This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians. Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history. BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions. Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1920-2020 Extent The size or duration of the resource. 315 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created North America: Canada, Saskatchewan Materials ceramic Techniques molding (forming) Physical Dimensions The actual physical size of the original image overall: 23.5 cm x 12 cm x 13 cm Location The actual location of the item Artifacts: Case 5, Shelf 2, Box 6 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2018.073.a004 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ceramic duck Date Created Date of creation of the resource. 1970 - 1990 Description An account of the resource White ceramic duck with embroidery decal on the head, wings, and tail. The decal on the back is from "Dianna May Clay". Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Andriy Nahachewsky bought in a flooring store S end of Prince Albert, Saskatchewan https://collections.ukrfolk.ca/files/original/8a742296255a04f8e1154dcd4be54ceb.jpg 9f477f69763ff39c6187dfe4f4713075 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Artifacts Collection Description An account of the resource The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups. The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets. The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles. This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians. Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history. BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions. Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1920-2020 Extent The size or duration of the resource. 315 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Materials paper Techniques machine-made Physical Dimensions The actual physical size of the original image overall: 28 cm x 21 cm x 0.5 cm Location The actual location of the item Artifacts: Case 4, Shelf 1, Box 20 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2018.073.a012 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Puzzle Jesus Christ Description An account of the resource The icon puzzle with the image of Jesus Christ with the Bible in his left hand. https://collections.ukrfolk.ca/files/original/3e6ea43bfb384709572bb2213cd824b6.jpg 9c48ed1b5795154a1e6f7efa3dbc8db8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Artifacts Collection Description An account of the resource The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups. The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets. The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles. This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians. Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history. BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions. Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1920-2020 Extent The size or duration of the resource. 315 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created North America: Canada, Saskatchewan Materials clay Techniques hand-made Physical Dimensions The actual physical size of the original image overall: 8.5 cm x 6.5 cm Location The actual location of the item Artifacts: Case 5, Shelf 2, Box 7 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2018.073.a025 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clay bell Description An account of the resource Handmade and painted clay bell in the shape of a woman in Ukrainian national clothes and a fish in her hands. https://collections.ukrfolk.ca/files/original/f9c004ae29865bad23166dfd6e337c7d.jpg 57e1cfee6de39c8c02c04db32142996d https://collections.ukrfolk.ca/files/original/3172700a1b61e9e35c9ceedaf1c0457b.jpg 18dc23d575c1ec43164b3fee0c13eb79 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Artifacts Collection Description An account of the resource The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups. The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets. The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles. This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians. Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history. BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions. Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1920-2020 Extent The size or duration of the resource. 315 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Materials metal wood Techniques molding (forming) machine-made Physical Dimensions The actual physical size of the original image overall: 4.5 cm 4 cm x 2 cm Note The note with a detailed explanation from Andriy Nahachewsky is attached Location The actual location of the item Artifacts: Case 4, Shelf 1, Box 22 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2018.073.a029 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stamp for the restaurant "O+O Drive-in" Description An account of the resource Handmade metal and wooden stamp with the image logo of a woman with a bowl of varenyky. The stamp was used for marking envelopes for the "O+O Drive-in" restaurant. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The stamp is from Andriy Nahachewsky's father's restaurant, which was opened in 1962 https://collections.ukrfolk.ca/files/original/de3e1d01b5e89db2370d0c6b4dcb33ee.jpg f200b9ece981ae242328c30bcaabebd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Artifacts Collection Description An account of the resource The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups. The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets. The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles. This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians. Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history. BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions. Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1920-2020 Extent The size or duration of the resource. 315 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created Europe: Ukraine Materials ceramic Physical Dimensions The actual physical size of the original image overall: 9.5 cm x 7.5 cm Note The item has an explanation from Andriy Nahachewsky Location The actual location of the item Artifacts: Case 5, Shelf 2, Box 8 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2018.073.a030 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Souvenir mug Date Created Date of creation of the resource. ca 2008 Description An account of the resource Black ceramic souvenir mug with the text in a circle in the Ukrainian language "Тримаймося Богів Рідних і сила їх буде з нами" [Let's hold on to the Native Gods and their power will be with us]. The Ukrainian Trident and the sun are in the middle of the circle comprised of text Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item was a gift to Andriy Nahachewsky from Maria Mayerchyk in 2008 https://collections.ukrfolk.ca/files/original/0c83c2f42585520ef682c4538c3773d3.jpg 6d49dd45890f4ea6fd2a25a8a3ab5be1 https://collections.ukrfolk.ca/files/original/8324dfdf3a6278f0cf91ffae574bae0c.jpg 855bfb17b45422b9e0cc17e7e7ff5546 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Artifacts Collection Description An account of the resource The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups. The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets. The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles. This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians. Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history. BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions. Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1920-2020 Extent The size or duration of the resource. 315 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created Europe: Ukraine, Kyiv Materials plaster; plastic Techniques machine-made Physical Dimensions The actual physical size of the original image overall: 34 cm x 35 cm Location The actual location of the item Artifacts: Case 4, Shelf 2, Box 26 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2018.073.a033 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stereophoto ''Fantasy'' Date Created Date of creation of the resource. 1978 Description An account of the resource Rectangular 3D Card, stereophoto featuring a flower bouquet on a red background. The handwriting text on the back side reads "На пам'ять Андрею від Лариси. УССР 274022 г. Черновцы - 22 ул. Чапаєва дом 21а/ кв 38. Цицей-Кеннеди Лариси''. [For a memory to Andey by Larysa. USSR 274022 Chernivtsi - 22, Chapayev - str. 21a/38 apartment. Tsitsey-Kennedy Larisa]. The image composition is created by Saksirova L. Stereophoto was made by Vlasenko B.I. Manufactured by ''Ukrkabel'' factory in 1978. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This card was a gift to Andriy Nahachewsky by Larysa Tsitsey-Kennedy after Andry's assistant program in Chernivtsi in 1978. It was the first year of a student exchange program between Chernivtsi-Saskatchewan Universities. Andriy Nahachewsky spent 5 weeks in Chernivtsi https://collections.ukrfolk.ca/files/original/47431f6d38e94036bbad8d4b92c936cb.jpg 97e2a84d6b9afa75b26acc5a3560b597 https://collections.ukrfolk.ca/files/original/3cd10880da5a03cc3e8cabc113f504df.jpg a01056aa120015821e7866cdde3d829f https://collections.ukrfolk.ca/files/original/142d54ecf1206f94225fe2bb1cdb14f8.jpg 6abc04d76a928f1918e46297c88c31cc https://collections.ukrfolk.ca/files/original/0e47da403bc9ccb58def12bb4b1d3892.jpg e2c951bb98e03088eb41be3287729c1e https://collections.ukrfolk.ca/files/original/6422a0fdbb1e6b72033d303c5c359055.jpg 7ae7b32d747ed770a331ed2bd3f3887a https://collections.ukrfolk.ca/files/original/e415bc08412c36fc8270513707b264f0.jpg 867499f4a4b750f098fd6640f52cb49e https://collections.ukrfolk.ca/files/original/7eab98363bb85c3909b58ac126b7a7cd.jpg 936dd26bdb6dfb6cc7c6f99d19a12072 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Artifacts Collection Description An account of the resource The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups. The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets. The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles. This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians. Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history. BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions. Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1920-2020 Extent The size or duration of the resource. 315 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created North America: Canada, Saskatchewan, Kamsack Materials paper Techniques molding (forming) machine-made Physical Dimensions The actual physical size of the original image overall: 19 cm x 2 cm Location The actual location of the item Artifacts: Case 4, Shelf 2, Box 26 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2018.073.a034 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ear cleaning wax candles Description An account of the resource Two medical wax candles for ear cleaning. The candles are empty inside. They are supplemented with paper instructions. Such a way of medicine was accompanied by prayers. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Ivan Nahachewsky brought these candles from around Kamsack https://collections.ukrfolk.ca/files/original/62c37ec5539c8aa11ed723276903a582.jpg b79d1c6b43c7203be208d5a1b08d2e4c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Artifacts Collection Description An account of the resource The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups. The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets. The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles. This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians. Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history. BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions. Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1920-2020 Extent The size or duration of the resource. 315 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created Europe: Ukraine, Kyiv Materials plaster; plastic Techniques machine-made Physical Dimensions The actual physical size of the original image overall: 8 cm x 6 cm Note This item has a short description by Andriy Nahachewsky Location The actual location of the item Artifacts: Case 4, Shelf 2, Box 26 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2018.073.a036 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wet napkin Date Created Date of creation of the resource. 2006 Description An account of the resource Disposable wet napkin ''ЯпонаРушничок'' [Japanese Napkin]. Such wet wipes were manufactured for sushi bars ''ЯпонаХата'' [Japanese House] and added to sushi orders. The cover has a mix of traditional Ukrainian and Japanese patterns in red and black colours. This napkin was collected by Andriy Nahachewsky in Ukraine in 2006. https://collections.ukrfolk.ca/files/original/c200c0ae42287dfb8816d0f0872d4ffa.jpg 56a1edb3eaa28894ba71e94bf8ac55a8 https://collections.ukrfolk.ca/files/original/cb6583c6515fd17259894021a20959bd.jpg b88cf440f46003fb767cc4db9d9e59ab https://collections.ukrfolk.ca/files/original/765d37fe40ff2a363ea7f7163b24ddec.jpg 8bf8fbe92e84040139dd8bee1834927d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Artifacts Collection Description An account of the resource The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups. The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets. The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles. This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians. Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history. BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions. Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1920-2020 Extent The size or duration of the resource. 315 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created South America: Brazil Materials metal wood Physical Dimensions The actual physical size of the original image overall: 39.5 cm x 7 cm Note A short description by Andriy Nahachewsky is attached to the sickle Location The actual location of the item Artifacts: Case 4, Shelf 1, Box 21 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2018.073.a038 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foisa Description An account of the resource Very common tool made of metal and wood with a handle. It was used by Ukrainian farmers in Brazil. Reminiscent of a sickle Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This sickle belonged to Gose Solobodzian. Andriy Nahachewsky bought him a new one. A sickle had a longer handle but was cut off because it didn't fit in Nahachewsky's suitcase https://collections.ukrfolk.ca/files/original/98b4c20cdf4d2e99c4120f60bd95b38c.jpg 8cfb80e75ffc96802698035d9174590b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Artifacts Collection Description An account of the resource The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups. The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets. The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles. This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians. Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history. BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions. Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1920-2020 Extent The size or duration of the resource. 315 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created Europe: Ukraine, Ternopilska oblast, Chortkiv Materials plaster; plastic Physical Dimensions The actual physical size of the original image overall: 13.5 cm x 8.5 cm Note The provenance is based on Andriy Nahachewsky's notes Location The actual location of the item Artifacts: Case 4, Shelf 1, Box 21 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2018.073.a039 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Piece of plaster, Lenin's left eye Date Created Date of creation of the resource. 1990s Description An account of the resource Plaster fragment of a statue of Lenin. It consists of a left eye and an eyebrow Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. "Andriy Nahachewsky, Brian and Larisa Saban did their fieldwork project in 1995. They stayed in a school one night in the village of Velyki Chornokintsi, near Chortkiv. Nahachewsky found some pieces of plaster, parts of the school's former statue of Lenin there. The school principal, who was coming out as a Banderivets, just at the time a person could say that out loud, hacked at this statue in the back of the schoolyard there, slashed across the face and destroyed it. Nahachewsky took with him two pieces of the 5-6 ones"