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                  <text>The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups.&#13;
&#13;
The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets.&#13;
&#13;
The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles.&#13;
&#13;
This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians.&#13;
&#13;
Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history.&#13;
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                <text>A beer mug made of clear glass with a single handle and a blue painting of a couple on the front side. The item is from the Toronto Caravan Festival.</text>
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                  <text>The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups.&#13;
&#13;
The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets.&#13;
&#13;
The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles.&#13;
&#13;
This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians.&#13;
&#13;
Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history.&#13;
&#13;
BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions.</text>
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                <text>Clear wine glass on a round base with a red embroidery decal on top and gold trim on the edge. The item is from Andriy Nahachewsky's father's restaurant, which opened in 1962.</text>
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                <text>The wine glass is from Andriy Nahachewsky's father's restaurant, which is opened in 1962</text>
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&#13;
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&#13;
The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles.&#13;
&#13;
This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians.&#13;
&#13;
Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history.&#13;
&#13;
BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions.</text>
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                  <text>The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups.&#13;
&#13;
The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets.&#13;
&#13;
The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles.&#13;
&#13;
This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians.&#13;
&#13;
Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history.&#13;
&#13;
BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions.</text>
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&#13;
The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets.&#13;
&#13;
The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles.&#13;
&#13;
This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians.&#13;
&#13;
Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history.&#13;
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BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions.</text>
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                  <text>The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups.&#13;
&#13;
The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets.&#13;
&#13;
The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles.&#13;
&#13;
This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians.&#13;
&#13;
Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history.&#13;
&#13;
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                <text>Miniature green plastic souvenir beer stein with a black logo of the Ukrainian Student's Union printed on the side. The text below the logo reads "USS at UAlberta".</text>
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                <text>This souvenir was gifted to Andriy Nahachewsky when he participated in a USS convention in Edmonton</text>
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&#13;
The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets.&#13;
&#13;
The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles.&#13;
&#13;
This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians.&#13;
&#13;
Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history.&#13;
&#13;
BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions.</text>
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                <text>Edelstein</text>
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                <text>This item came from the home of  Prokop Magers's mother Odarka Magera (nee Ferbey) who lived in Fedora Alberta, near the town of Bon Accord. Her parents came to Canada from Ukraine in 1902</text>
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                  <text>The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups.&#13;
&#13;
The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets.&#13;
&#13;
The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles.&#13;
&#13;
This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians.&#13;
&#13;
Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history.&#13;
&#13;
BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions.</text>
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          <name>Place created</name>
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              <text>Artifacts: Case 5, Shelf 2, Box 7</text>
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                <text>Teacup and matching saucer decorated with Ukrainian decal embroidery pattern around the lip of the cup and the external edge of the saucer. The edge of the saucer and the cup and handle have been trimmed with gold. Text on the underside of both the cup and the saucer reads "Edelstein Bavaria Made in Germany 132".</text>
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                <text>This item came from the home of Prokop Magers's mother Odarka Magera (nee Ferbey) who lived in Fedora Alberta, near the town of Bon Accord. Her parents came to Canada from Ukraine in 1902</text>
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&#13;
The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets.&#13;
&#13;
The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles.&#13;
&#13;
This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians.&#13;
&#13;
Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history.&#13;
&#13;
BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions.</text>
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            <description>A name given to the resource</description>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>Vase with a Ukrainian decal embroidery pattern around the lip of the vase and around the bottom third of the vase. The edge of the vase and bottom base has been trimmed black. The text on the underside of the vase reads "Made by Ukrainian art".</text>
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          <element elementId="106">
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                <text>This item came from the home of  Prokop Magers's mother Odarka Magera (nee Ferbey) who lived in Fedora Alberta, near the town of Bon Accord. Her parents came to Canada from Ukraine in 1902</text>
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&#13;
The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets.&#13;
&#13;
The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles.&#13;
&#13;
This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians.&#13;
&#13;
Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history.&#13;
&#13;
BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions.</text>
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              <name>Creator</name>
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                <text>Tall cylindrical glass candleholder with a Ukrainian decal embroidery pattern is applied in four vertical strips around the body.</text>
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                <text>This item came from the home of Prokop Magers's mother Odarka Magera (nee Ferbey) who lived in Fedora Alberta, near the town of Bon Accord. Her parents came to Canada from Ukraine in 1902</text>
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