20 10 2543 https://collections.ukrfolk.ca/files/original/0cbc6ee4cce71a297170f80730957f7b.JPG 2d18bebd6dbc78c9efcaae6e48dbe6b2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.023.a006 Field colours beige Décor colours purple Physical Dimensions The actual physical size of the original image overall: 57 cm x 73 cm Place created Central America: Honduras Location The actual location of the item Textiles: Case 2, Shelf 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 1 item Type The nature or genre of the resource T-Shirt Title A name given to the resource Camp T-shirt Description An account of the resource Cream children's camp T-shirt with dark purple screen-printed lettering and graphics. There are three graphics in the centre of the shirt, in a horizontal line. The graphic on the viewer's left is an artist's palette with two brushes sticking out of it on a heart-shaped background. The middle graphic is an outline of a guitar on a heart-shaped background. The third graphic is a soccer ball on a heart-shaped background. Above the graphics in large lettering is "POKROVA". Below the graphics in smaller lettering is "Ukrainian Children's Arts Camp Ottawa Canada July 26-30, 2004". Below in large lettering matching the top, is "Покрова" [Pokrova]. Size: 10/12. Manufactured by Fruit of the Loom, Honduras. Creator An entity primarily responsible for making the resource Fruit of the Loom Source A related resource from which the described resource is derived Pokrova https://collections.ukrfolk.ca/files/original/7e6b1a56291efeeb5c1e95d46e21bcc8.JPG b366d0b7d195483fe4a0804dbf5cd0f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.023.a015 Field colours brown Décor colours beige Physical Dimensions The actual physical size of the original image overall: 67 cm x 71 cm Place created Central America: Honduras Location The actual location of the item Textiles: Case 2, Shelf 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 1 item Type The nature or genre of the resource T-Shirt Title A name given to the resource Camp T-shirt Description An account of the resource Brown children's camp T-shirt with beige screen-printed graphic and lettering. The graphic is centred on the T-shirt and depicts a ceramic pot. The pot is detailed in swirls. Below the graphic, bordered with a line above and below, is lettering reading "Pokrova children's Ukrainian arts camp Ottawa, Canada - July 21-25, 2008 Пoкpoвa" [Pokrova children's Ukrainian arts camp Ottawa, Canada - July 21-25, 2008 Pokrova]. "Pokrova" and "Пoкpoвa" [Pokrova] are in a larger font. Size: S. Manufactured by Fruit of the Loom, Honduras. Creator An entity primarily responsible for making the resource Fruit of the Loom Source A related resource from which the described resource is derived Pokrova https://collections.ukrfolk.ca/files/original/fe9e728695084a4c7bfb3ea1b7c8f426.JPG ffd2a00e8223694310e2dc5ade2910a2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.023.a016 Field colours orange Décor colours black Physical Dimensions The actual physical size of the original image overall: 71 cm x 79 cm Place created North America: Mexico Location The actual location of the item Textiles: Case 2, Shelf 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 1 item Type The nature or genre of the resource T-Shirt Title A name given to the resource Camp T-shirt Description An account of the resource Orange children's camp T-shirt with black screen-printed graphic and lettering. At the top of the shirt is black lettering reading "ПОКРОВА POKROVA" [Pokrova Pokrova]. Below the lettering is a graphic of a person sitting on a horse in mid-gallop. Below the graphic is lettering reading "Children's Ukrainian arts camp 23-27 July 2007", "Українcький Дітячий Tабір Mистецтвa" [Ukrainian Children's Art Camp], "Ottawa Canada". Size: M. Manufactured by Fruit of the Loom, Mexico. Creator An entity primarily responsible for making the resource Fruit of the Loom Source A related resource from which the described resource is derived Pokrova https://collections.ukrfolk.ca/files/original/3e25a6f7ca9eb6f9a4ff1bdf480faa77.JPG dd2132a06e94eb3fecbc8663f1f3c615 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.023.a017 Field colours green Décor colours black Physical Dimensions The actual physical size of the original image overall: 66.5 cm x 69.5 cm Place created Central America: Honduras Location The actual location of the item Textiles: Case 2, Shelf 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 1 item Type The nature or genre of the resource T-Shirt Title A name given to the resource Camp T-shirt Description An account of the resource Green children's camp T-shirt with black screen-printed graphics and lettering. At the top of the shirt is black lettering reading "ПОКРОВА POKROVA" [Pokrova Pokrova]. Below are three small graphics in a horizontal line. The graphic on the viewer's left is of an artist's palette with two brushes on a heart-shaped background. The middle graphic is of two mirrored people with arms outstretched. In between them is a smaller person hanging off of their arms. The graphic on the right is of a kolach (a braided bread). Below the graphics is lettering reading "Children's Ukrainian Arts Camp 24-28 July 2006", "Українcький Дітячий Tабір Mистецтвa" [Ukrainian Children's Art Camp], "Ottawa Canada". Size: 10/12. Manufactured by Fruit of the Loom, Honduras. Creator An entity primarily responsible for making the resource Fruit of the Loom Source A related resource from which the described resource is derived Pokrova https://collections.ukrfolk.ca/files/original/12d7eb765adf3aba2df0f5b0c17168b5.JPG 5b939a68dfe70f80519270ac89ebcf4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created North America: Canada, Alberta, Edmonton Materials cotton (textile) polyester (fiber) Field colours white Techniques machine-made Decorative techniques screen printing Décor colours yellow green purple red black orange pink blue Physical Dimensions The actual physical size of the original image overall: 52 cm x 63 cm Location The actual location of the item Textiles: Case 1, Shelf 6 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.015.a001 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Souvenir T-shirt Creator An entity primarily responsible for making the resource Future Fashions Description An account of the resource White souvenir T-shirt with a screen-printed graphic of a woman dancing from the waist up. She is wearing a vyshyvanka dress with a blue bodice and red skirt. The blue bodice is detailed with a yellow triangle pattern along the seams, and her sleeves are white with red and black flower embroidery. She has six red bead necklaces. Her black hair is braided and tied with a yellow ribbon. Her hair has a flower crown with purple, yellow, red, orange, green, pink, and blue ribbons. The ribbons are flowing around her. Size: S. Manufactured by Future Fashions, Canada. Type The nature or genre of the resource T-shirt Extent The size or duration of the resource. 1 item Source A related resource from which the described resource is derived Gift of Lesia Savedchuk https://collections.ukrfolk.ca/files/original/37a6329cbe4edd3c5d67a5add63233f5.jpg 0dbf576831ef7bf2281a5da31308c611 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ukrainian music on 78 rpm records collection Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Issue # Used primarily for phonograph records. 402851 402850 15598-Y Physical condition Good condition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context UF2003.020.g002 Title A name given to the resource Solodky mrii, val'ts (Solodki mryi, vals) Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Pol'ka Vira (Polka Vera) Creator An entity primarily responsible for making the resource G. Vicari Davidenko, J. Publisher An entity responsible for making the resource available Columbia Medium The material or physical carrier of the resource. 1 sound disc : analog, 78 rpm record, 10 in. Type The nature or genre of the resource Sound recording https://collections.ukrfolk.ca/files/original/ae4594901e538b1652dcf6893185b358.jpg 33ffa6c49219d5e56cda3dc10fd80cdd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ukrainian music on 78 rpm records collection Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Issue # Used primarily for phonograph records. 107918 107921 24053-F Physical condition Good condition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context UF2002.050.g035 Title A name given to the resource Vojenske piesne, chast 1 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Vojenske piesne, chast 2 Creator An entity primarily responsible for making the resource Gellert, Andrej Publisher An entity responsible for making the resource available Columbia Medium The material or physical carrier of the resource. 1 sound disc : analog, 78 rpm record, 10 in. Type The nature or genre of the resource Sound recording https://collections.ukrfolk.ca/files/original/cb94b8295d82fdfb0c7844a8f66e0312.jpg 535043753bf37c4afd2c102eb28573c5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ukrainian music on 78 rpm records collection Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Issue # Used primarily for phonograph records. 1786-A 1786-B Physical condition Fair condition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context UF2000.045.g112 Title A name given to the resource Ave Maria / Agnus Dei Creator An entity primarily responsible for making the resource Gigli, Beniamino Berlin State Opera Orch. Seidler-Winkler, Bruno Bach Gounod Bizet Publisher An entity responsible for making the resource available RCA Victor Medium The material or physical carrier of the resource. 1 sound disc : analog, 78 rpm record, 10 in. Type The nature or genre of the resource Sound recording https://collections.ukrfolk.ca/files/original/f713a601223a62db35cb0a4f6678fbf1.jpg bf1b2f92d864a5a584722fdd4c96ab4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ukrainian music on 78 rpm records collection Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Issue # Used primarily for phonograph records. 15348-A 15348-B Physical condition Fair condition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Santa Lucia / Plaisir D'Amour Creator An entity primarily responsible for making the resource Gigli, Beniamino|Barbirolli, John|Olivieri, Dino Publisher An entity responsible for making the resource available RCA Victor Language A language of the resource English Type The nature or genre of the resource RCA Victor Medium The material or physical carrier of the resource. 1 sound disc : analog, 33 1/3 rpm, 12 in Identifier An unambiguous reference to the resource within a given context UF2018.077.g004 https://collections.ukrfolk.ca/files/original/441998f0fbef22635d79f31c92104e59.JPG 7a7f6194e6b40fb3787b3041668f3861 https://collections.ukrfolk.ca/files/original/124ce12975fe99c65390254d764a5134.JPG 1859d2bda4343b32e7129c5506443324 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.023.a003 Field colours red Décor colours white Physical Dimensions The actual physical size of the original image overall: 61 cm x 77 cm Place created Central America: Nicaragua Location The actual location of the item Textiles: Case 2, Shelf 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 1 item Type The nature or genre of the resource T-Shirt Title A name given to the resource Camp T-shirt Description An account of the resource Red children's camp T-shirt with white screen-printed lettering down the center, and a column of patterned shapes down the viewer’s left side. The words are separated into three segments one above the other. The first segment at the top says “POKROVA KOLOMYIKA CANADA”. The centre segment says “CHILDRENS’ UKRANIAN ARTS CAMP JULY 17 – 21,2023 OTTAWA, CANADA”. The bottom segment says “Коломийка Канада Покрова” [Kolomyika Canada Pokrova]. In the centre of the verso is a white flower in a slightly abstract style. Size: XL. Manufactured by Gildan, Nicaragua. Creator An entity primarily responsible for making the resource Gildan Source A related resource from which the described resource is derived Pokrova