168 10 2543 https://collections.ukrfolk.ca/files/original/a5104c63ba706f33f72747003b5db296.jpg 037fe1c4b343fb5b3f684d9e7eeadd7c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ukrainian music on 78 rpm records collection Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Issue # Used primarily for phonograph records. 9338 A 9338 B Publisher Place A name of the place where a resource has been published USSR Physical condition Fair condition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context UF1991.011.g177 Title A name given to the resource The Lingering Echoes / Fellows, Unharness the Horses Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Homin, Homin po dibrova / Razpriahaite Khlopts'i Kony Creator An entity primarily responsible for making the resource Grishko, M. C., Ukrainian Folk Song Orchestra and Choir Symphonic Ensemble of Kiev Publisher An entity responsible for making the resource available Stinson Records Medium The material or physical carrier of the resource. 1 sound disc : analog, 78 rpm record, 10 in. Type The nature or genre of the resource Sound recording https://collections.ukrfolk.ca/files/original/f03d80ff94d3681865ac0f3fff1915bc.jpg b77a9f7a56a69cb3a72075fb06c8eaa3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ukrainian music on 78 rpm records collection Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Publisher Place A name of the place where a resource has been published Edmonton, Alberta, Canada Physical condition Fair condition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context UF2001.059.g077 Title A name given to the resource The Sermon on the Mount / Lord, Hear My Prayer (Hospody pochui molytva) Creator An entity primarily responsible for making the resource St. John's Ukrainian Orthodox Cathedral Choir in Edmonton Publisher An entity responsible for making the resource available CKUA Medium The material or physical carrier of the resource. 1 sound disc : analog, 78 rpm record, 12 in. Type The nature or genre of the resource Sound recording Date Issued Date of formal issuance (e.g., publication) of the resource. July 5th https://collections.ukrfolk.ca/files/original/4c84aadd6d0735c7e83e11c49bad26d4.jpg dd70ceb82065176f3f9a0b424e573f58 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ukrainian music on 78 rpm records collection Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Issue # Used primarily for phonograph records. UK 5-A UK 5-B Physical condition Fair condition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context UF1991.011.g075 Title A name given to the resource The Time Will Come / Indeed Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Preyde Shche Tchas / Tchy Spravdi Creator An entity primarily responsible for making the resource Wesolowsky, J. B. Swystun, M. Derbish, A. Publisher An entity responsible for making the resource available Stinson Records Medium The material or physical carrier of the resource. 1 sound disc : analog, 78 rpm record, 10 in. Type The nature or genre of the resource Sound recording https://collections.ukrfolk.ca/files/original/db90e5fc651294664536a8330a6fa0a4.jpg 8d63e7e033eeed812b9cdd6316686385 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ukrainian music on 78 rpm records collection Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Issue # Used primarily for phonograph records. 19626 19625 Publisher Place A name of the place where a resource has been published USSR Physical condition Good condition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context UF1991.011.g172 Title A name given to the resource The White Snow Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Ta Zabilili Snigi Creator An entity primarily responsible for making the resource Ukrainian SSR Bandura Capella A. Minkovsky Publisher An entity responsible for making the resource available Aprelevskii Zavod Medium The material or physical carrier of the resource. 1 sound disc : analog, 78 rpm record, 10 in. Type The nature or genre of the resource Sound recording https://collections.ukrfolk.ca/files/original/6ee34d55ebb0df1c3d14a7ee1818fcc8.jpg 6de156e835a09daf56f6e3f4f163e959 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Artifacts Collection Description An account of the resource The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups. The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets. The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles. This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians. Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history. BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions. Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1920-2020 Extent The size or duration of the resource. 315 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created North America: Canada, Alberta, Edmonton Materials paper Decorative techniques painting (coating) Physical Dimensions The actual physical size of the original image overall: 15 cm x 15 cm x 11 cm Location The actual location of the item Artifacts: Case 5, Shelf 0, Box 19 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2014.013.a005 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thief mask Creator An entity primarily responsible for making the resource Meron Sembaliuk; Sembaliuk, Paul Date Created Date of creation of the resource. 1988 Description An account of the resource Thief mask made of paper mache painted lime green. Worn by Terry Taciuk Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This mask was made in December of 1988 by Paul Sembaliuk and his son Meron Sembaliuk. It was worn by one of the mummers that performed at the January 1989 faculty Club Malanka at the University of Alberta https://collections.ukrfolk.ca/files/original/1ec61d739e3ea0ce6ef6e3d27020e169.jpg 4d0c08b450bc7c1a089f86b5cb26e9d6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ukrainian music on 78 rpm records collection Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Issue # Used primarily for phonograph records. 5012-A 5012-B Physical condition Fair condition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context UF2019.006.g001 Title A name given to the resource Three Dolar Polka / Busy Body Oberek Creator An entity primarily responsible for making the resource Soyka, Al Taft, G. Publisher An entity responsible for making the resource available JAN Medium The material or physical carrier of the resource. 1 sound disc : analog, 78 rpm record, 10 in. Type The nature or genre of the resource Sound recording https://collections.ukrfolk.ca/files/original/b1b942d02ee9233f2388af3d40f0c3ae.jpg 1525e0a0a3a04c6f06bd9e0b12d121a6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. <br /><br />The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. <br /><br />A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. <br /><br />The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. <br /><br />A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare.<br /><br /><em>(Description created 2022-11-18 by AN)</em> Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2013.045.a034 Materials cotton (textile) Physical Dimensions The actual physical size of the original image overall: 27 cm x 42 cm Place created Europe: Germany Note Audio tape: Onu-13 23:02 Location The actual location of the item Textiles: Case 2, Box: Textile 3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 3 items Type The nature or genre of the resource placemat Title A name given to the resource Three matching placemats Description An account of the resource Three matching placemats with machine-made screen printed Ukrainian pattern. Colours of printing: red, black, yellow, orange, green. Source A related resource from which the described resource is derived Gift of Roman Onufrijchuk Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The Onufrijchuk family used this item on a regular, daily basis. https://collections.ukrfolk.ca/files/original/37891e44e5589ecf2a09387354b03560.jpg e164e2fd0adf748327b17ba437315706 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. <br /><br />The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. <br /><br />A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. <br /><br />The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. <br /><br />A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare.<br /><br /><em>(Description created 2022-11-18 by AN)</em> Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2013.045.a046 Materials wool Physical Dimensions The actual physical size of the original image overall: 120 cm x 158 cm Place created North America: Canada, Quebec, Sainte-Madeleine Note Audio tape: Onu-13 33:15 Location The actual location of the item Textiles: Case 2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 1 item Type The nature or genre of the resource blanket Title A name given to the resource Throw blanket Description An account of the resource A portion of white wool, a hand-woven throw blanket. The price tag still attached is $24. Wool 70%, Orlon 30%. The blanket was cut by L. Onufrijchuk to be sewn into a piece of clothing. Fringes on one edge. Source A related resource from which the described resource is derived Gift of Roman Onufrijchuk https://collections.ukrfolk.ca/files/original/eb8d8a86e05d8396e9a6a5b561fbed66.jpg 945b656fabcec8ae0b4ff7e627c65a19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Artifacts Collection Description An account of the resource The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups. The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets. The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles. This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians. Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history. BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions. Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1920-2020 Extent The size or duration of the resource. 315 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Materials metal glass Techniques carving Physical Dimensions The actual physical size of the original image overall: thurible - 12.5 cm diameter, candle - 8 cm diameter Location The actual location of the item Artifacts: Case 4, Shelf 3, Box 30 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2013.045.a242 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thurible with a candle Description An account of the resource Metal silver thurible with a mate glass holder for candle and half-used candle inside. https://collections.ukrfolk.ca/files/original/d45d8c73309e28cb76ee67edf34a45fe.jpg 9bdcd8c8b1616da65f5bb8bbbf3351fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ukrainian music on 78 rpm records collection Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Issue # Used primarily for phonograph records. 107545 107664 20111-F Physical condition Good condition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context UF2015.040.r008 Title A name given to the resource To Ne Vieter" Vietku Klonit" / Sredi Doliny Povnyia Creator An entity primarily responsible for making the resource Medoff, D. Publisher An entity responsible for making the resource available Columbia Medium The material or physical carrier of the resource. 1 sound disc : analog, 78 rpm record, 10 in. Type The nature or genre of the resource Sound recording