158 10 2543 https://collections.ukrfolk.ca/files/original/517b5d4f028452eb3bf19a6668c9d4f8.JPG f30e55dfdec3a390688009ec6ca9c2f3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created North America: Canada Materials cotton (textile) polyester (fiber) Field colours white Techniques machine-made Decorative techniques screen printing Décor colours red Physical Dimensions The actual physical size of the original image overall: 66 cm x 78 cm Location The actual location of the item Textiles: Case 2, Shelf 4 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.008.a006 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Souvenir T-shirt Creator An entity primarily responsible for making the resource Evergreen Description An account of the resource White souvenir T-shirt with a red screen printed graphic depicting two dancers in the centre. The dancer on the viewer’s left is a woman standing with her hands extended to the right. The dancer on the right is a man crouching on one leg, with the other leg extended and his arms crossed. Above the dancers is red lettering reading “ЧОТИРИ” [Four] and below the dancers is red lettering reading “NYRBAM, AB”. Size: L. Manufactured by Evergreen, Canada. Type The nature or genre of the resource T-shirt Extent The size or duration of the resource. 1 item Source A related resource from which the described resource is derived Gift of Jason Golinowski https://collections.ukrfolk.ca/files/original/8a1c353b372b7789d0adcbcebec16044.JPG 9c0a4a3a53694a35cbb1095f8ecb7d85 https://collections.ukrfolk.ca/files/original/3580362c490eedbaf57c483ec381ffee.JPG dca702d289109830b86b1822d3cc3d54 https://collections.ukrfolk.ca/files/original/3d08e5b7a6263f786e4a56f7ed9dc4ed.JPG 6deee505e591fc3e961526607554f6d8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created North America: Canada Materials cotton (textile) polyester (fiber) Field colours white Techniques machine-made Decorative techniques screen printing Décor colours blue yellow Physical Dimensions The actual physical size of the original image overall: 70 cm x 84 cm Location The actual location of the item Textiles: Case 2, Shelf 4 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.008.a007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Souvenir T-shirt Creator An entity primarily responsible for making the resource Screen Stars Best Description An account of the resource White souvenir T-shirt with blue and yellow graphics and lettering. In the centre is a circular logo. The top half is blue and the bottom half is yellow. “100” is centred on the logo. At the top of the logo in yellow is “CELEBRATE” and at the bottom in blue is “ЛіТТЯ” [Years]. Below the logo, separated by a blue square is blue lettering reading “100- ЛіТТЯ УКРАЇНЦІВ У КАНАДІ” [100th Anniversary of Ukrainians in Canada], “CENTENNIAL OF UKRAINIANS IN CANADA”, “CENTENAIRE DES UKRAINIENS AU CANADA”. The sleeve on the viewer’s right has a blue “Creative Concepts” logo. Blue lettering at the top of the verso reads “UKRAINIAN CENTENNIAL RUN”. Below the lettering is a grid featuring the logos of ten sponsors. Size: XL. Manufactured by Screen Stars Best, Canada. Type The nature or genre of the resource T-shirt Extent The size or duration of the resource. 1 item Source A related resource from which the described resource is derived Gift of Jason Golinowski https://collections.ukrfolk.ca/files/original/86f924760dd548f4d83de51dbf6dbac6.JPG 19645884f7ce369a82046ac7d13581f3 https://collections.ukrfolk.ca/files/original/bc4b25c261015b515a95a5427cbd00fb.JPG 2b2cf4306467e3125d5b7e25a354dbfc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created North America: Canada Materials cotton (textile) Field colours white Techniques machine-made Decorative techniques screen printing Décor colours black green red yellow Physical Dimensions The actual physical size of the original image overall: 77 cm x 93 cm Location The actual location of the item Textiles: Case 2, Shelf 4 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.008.a008 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Souvenir T-shirt Creator An entity primarily responsible for making the resource Fruit of the Loom Description An account of the resource White souvenir T-shirt. On the viewer’s top right is a screen printed black lettering reading “NOWHERE TO RUN, NOWHERE TO HIDE!”. On the verso is a graphic of a grey road with green trees leading out of a cluster of buildings labeled “Ft. McMurray”. Running down the length of the road is a trail of flames leading to a fire tornado at Looney Tunes’ Tasmanian Devil’s (Taz) feet. At the end of the printed road is a green “HIGHWAY 63 SOUTH” sign with a “CLOSED” board fastened diagonally. Above and below the graphic is red lettering reading “I WAS TRAPPED!”; “BY THE FIRE OF ‘95”. Size: XL. Manufactured by Fruit of the Loom, Canada. Type The nature or genre of the resource T-shirt Extent The size or duration of the resource. 1 item Source A related resource from which the described resource is derived Gift of Jason Golinowski https://collections.ukrfolk.ca/files/original/fe4214cce12ce086a36fee83b10c9f47.JPG 42b18677d216aa2255751e9002d0a46c https://collections.ukrfolk.ca/files/original/69cbc374a7315455ee5f937c061a6e2d.JPG 2c7279155aae09f12bba7800c8a19862 https://collections.ukrfolk.ca/files/original/d20cec48e297a835cbb0f55d4fb386df.JPG 6655b1154c8a9c6fa23751d738df1486 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created Central America: Honduras Materials cotton (textile) polyester (fiber) Field colours white Techniques machine-made Decorative techniques screen printing Décor colours black yellow blue red Physical Dimensions The actual physical size of the original image overall: 78 cm x 98 cm Location The actual location of the item Textiles: Case 2, Shelf 4 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.008.a009 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Souvenir T-shirt Creator An entity primarily responsible for making the resource Jerzees Description An account of the resource White souvenir T-shirt with screen-printed black lettering on the centre reading “козацька C14 2024” [cossack's C14 2024]. A printed black outline of a dancer is printed below the lettering. At the top of the verso is black lettering reading “From the steppes to the prairies”. The sleeve on the viewer’s left has “AUDA” printed in a colour sequence of blue, red, yellow, and blue. Below the acronym in black lettering is “ALBERTA UKRAINIAN DANCE ASSOCIATION”. Below, in smaller print is “ТОВАРИСТВО УКРАЇНСЬКOГO ТАНЦЮ АЛЬБЕРТИ (TУTA)” [Ukrainian Dance Society of Alberta]. Size: XL. Manufactured by Jerzees, Honduras. Type The nature or genre of the resource T-shirt Extent The size or duration of the resource. 1 item Source A related resource from which the described resource is derived Gift of Jason Golinowski https://collections.ukrfolk.ca/files/original/dd8cf901f28e6bb564bf5086797a28e2.JPG 133c322917a189f4ae180b5f26cb29c0 https://collections.ukrfolk.ca/files/original/94de73814b6741ecd87f8797110bc846.JPG 1db6872c46151fbf42842452dc689bc8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created North America: United States of America Materials cotton (textile) Field colours white Techniques machine-made Decorative techniques screen printing Décor colours brown Physical Dimensions The actual physical size of the original image overall: 72 cm x 89 cm Location The actual location of the item Textiles: Case 2, Shelf 4 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.008.a010 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Souvenir T-shirt Creator An entity primarily responsible for making the resource Standard American Description An account of the resource White souvenir T-shirt with a blue screen-printed graphic at the viewer’s top right of two dancers. One dancer is standing with arms outstretched, and the other is crouched on one leg, with the other leg extended and both arms outstretched. At the top of the verso is blue lettering in three lines that reads “Revolutions”, “Cheremosh”, and “Ukrainian Dance Company”. Above the lettering is a scaled-down version of the front graphic. Size: XL. Manufactured by Standard American, United States of America. Type The nature or genre of the resource T-shirt Extent The size or duration of the resource. 1 item Source A related resource from which the described resource is derived Gift of Jason Golinowski https://collections.ukrfolk.ca/files/original/b12d15d3aa5ccbd69b17c7cafedf0ea8.JPG 10e33ce4a2a3742110d11e08b89a4acc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created North America: Canada Materials cotton (textile) Field colours white Techniques machine-made Decorative techniques screen printing Décor colours blue Physical Dimensions The actual physical size of the original image overall: 67 cm x 81 cm Location The actual location of the item Textiles: Case 2, Shelf 4 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.008.a011 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Souvenir T-shirt Creator An entity primarily responsible for making the resource Fruit of the Loom Description An account of the resource White souvenir T-shirt with blue screen-printed lettering in the centre that reads "CHEREMOSH". The "O" in Cheremosh is replaced with the silhouettes of two dancers. Size: L. Manufactured by Fruit of the Loom, Canada. Type The nature or genre of the resource T-shirt Extent The size or duration of the resource. 1 item Source A related resource from which the described resource is derived Gift of Jason Golinowski https://collections.ukrfolk.ca/files/original/0ade8318157db202c9ca6d0167a57a35.JPG de0a48402fd903a5785f0838593b98c5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created North America: Canada Materials cotton (textile) Field colours blue Techniques machine-made Decorative techniques screen printing Décor colours white Physical Dimensions The actual physical size of the original image overall: 74 cm x 90 cm Location The actual location of the item Textiles: Case 2, Shelf 4 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.008.a012 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Souvenir T-shirt Creator An entity primarily responsible for making the resource Fruit of the Loom Description An account of the resource Navy blue souvenir T-shirt with white screen-printed lettering in the centre that reads "CHEREMOSH". The "O" in Cheremosh is replaced with the silhouettes of two dancers. Size: XL. Manufactured by Fruit of the Loom, Canada. Type The nature or genre of the resource T-shirt Extent The size or duration of the resource. 1 item Source A related resource from which the described resource is derived Gift of Jason Golinowski https://collections.ukrfolk.ca/files/original/b76c01f8337fbba11cd6e621c8085776.JPG c921635639d7385ef65466fea6e5ffcc https://collections.ukrfolk.ca/files/original/e64deb50d3281b297d0c1d75fcf60d65.JPG ff51cfe93dcc92de69e4e0dba0eb669e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created North America: Canada, Manitoba, Winnipeg Materials cotton (textile) polyester (fiber) Field colours yellow Techniques machine-made Decorative techniques drawing (image-making) Décor colours green red orange Physical Dimensions The actual physical size of the original image overall: 71 cm x 91 cm Location The actual location of the item Textiles: Case 2, Shelf 4 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.008.a015 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Souvenir T-shirt Creator An entity primarily responsible for making the resource Kayjet Description An account of the resource Neon yellow souvenir T-shirt with hand-written names signed on the front and back. The writing is in green, orange, and red. Size: XL. Manufactured by Kayjet, Canada. Type The nature or genre of the resource T-shirt Extent The size or duration of the resource. 1 item Source A related resource from which the described resource is derived Gift of Jason Golinowski https://collections.ukrfolk.ca/files/original/12d7eb765adf3aba2df0f5b0c17168b5.JPG 5b939a68dfe70f80519270ac89ebcf4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created North America: Canada, Alberta, Edmonton Materials cotton (textile) polyester (fiber) Field colours white Techniques machine-made Decorative techniques screen printing Décor colours yellow green purple red black orange pink blue Physical Dimensions The actual physical size of the original image overall: 52 cm x 63 cm Location The actual location of the item Textiles: Case 1, Shelf 6 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.015.a001 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Souvenir T-shirt Creator An entity primarily responsible for making the resource Future Fashions Description An account of the resource White souvenir T-shirt with a screen-printed graphic of a woman dancing from the waist up. She is wearing a vyshyvanka dress with a blue bodice and red skirt. The blue bodice is detailed with a yellow triangle pattern along the seams, and her sleeves are white with red and black flower embroidery. She has six red bead necklaces. Her black hair is braided and tied with a yellow ribbon. Her hair has a flower crown with purple, yellow, red, orange, green, pink, and blue ribbons. The ribbons are flowing around her. Size: S. Manufactured by Future Fashions, Canada. Type The nature or genre of the resource T-shirt Extent The size or duration of the resource. 1 item Source A related resource from which the described resource is derived Gift of Lesia Savedchuk https://collections.ukrfolk.ca/files/original/b7c8540859bb039dacfea74a2c804c34.JPG 8d14e6055e748afa80e943dcd626da9c https://collections.ukrfolk.ca/files/original/a8353c0ea7a548ceed5d8194ad165d89.JPG 1cb43767c66ff3fc56e77f4fcf5bb78c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created North America: United States of America Materials cotton (textile) Field colours blue Techniques machine-made Decorative techniques screen printing Décor colours white purple Physical Dimensions The actual physical size of the original image overall: 61 cm x 71 cm Location The actual location of the item Textiles: Case 1, Shelf 6 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.015.a002 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Souvenir T-shirt Creator An entity primarily responsible for making the resource Hanes Description An account of the resource Navy blue souvenir T-shirt with the shape of Ukraine screen printed in white on the centre. On the upper left of Ukraine is a point labelled "UNIVERSE CITY OF UKRANUS" with five purple and white skyscrapers printed above. A white circle and a purple ellipse are bordering the outline of the Ukraine. Above this graphic are the words "PLANET UKRANUS" in purple. Below the graphic are the words "DISCOVERED IN 1991 A.D BY 52 MILLION UKES". On the bottom right of the graphic is "©1995 UKRAINA INTERNATIONAL". Size: L. Manufactured by Hanes, USA. Type The nature or genre of the resource T-shirt Extent The size or duration of the resource. 1 item Source A related resource from which the described resource is derived Gift of Lesia Savedchuk