14 10 2543 https://collections.ukrfolk.ca/files/original/bdb0a9e63b9810a1f967a952a990dbba.jpg 2e80b21e9fe66a04bde0da1fcea09d77 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Artifacts Collection Description An account of the resource The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups. The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets. The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles. This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians. Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history. BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions. Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1920-2020 Extent The size or duration of the resource. 315 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Place created North America: Canada Physical Dimensions The actual physical size of the original image overall: 7.5 cm x 10.5 cm x 1 cm Location The actual location of the item Artifacts: Case 5, Shelf 3, Box 16 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2013.045.a182 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Business card holder Description An account of the resource Set of two brown leather imitation business card holders https://collections.ukrfolk.ca/files/original/c43c0a8f866350f562b476ab9cb537a6.jpg ef2f4e283caf73255c91adad4fbb6d4d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Artifacts Collection Description An account of the resource The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups. The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets. The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles. This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians. Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history. BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions. Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1920-2020 Extent The size or duration of the resource. 315 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Materials paper Physical Dimensions The actual physical size of the original image overall: 5 cm x 9 cm Location The actual location of the item Artifacts: Case 4, Shelf 3, Box 30 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2018.073.a049 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Business cards "For Archive" Description An account of the resource A stack of 54 business cards, entwined and signed "For Archive". https://collections.ukrfolk.ca/files/original/e2194df326ae89c5afe52d9f0c5ec92f.jpg 8a0b4e2b91dd85b798fee5d94928e720 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ukrainian music on 78 rpm records collection Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Issue # Used primarily for phonograph records. SU 106-A SU 106-B Publisher Place A name of the place where a resource has been published Ukraine Physical condition Good condition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context UF1998.032.g007 Title A name given to the resource Busy House Wife / Oy Hop, Ti, Ni, Ni Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Khlib Pekty i po Teliata Ity / Oy Hop, Ti, Ni, Ni Creator An entity primarily responsible for making the resource Bandura Orchestra and Chorus Publisher An entity responsible for making the resource available Surma Medium The material or physical carrier of the resource. 1 sound disc : analog, 78 rpm record, 10 in. Type The nature or genre of the resource Sound recording https://collections.ukrfolk.ca/files/original/e4862bcab5bbcd444562f0632a88baef.jpg 438c4d51c713db1ba417763aa6d25d3d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ukrainian music on 78 rpm records collection Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Issue # Used primarily for phonograph records. 15366 15367 Publisher Place A name of the place where a resource has been published USSR Physical condition Excellent condition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context UF1991.011.g157 Title A name given to the resource But for the Fences / There's Flax on the Hill Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Iak By Meni Ne Tynochky / Oi, Na Pori L'on Creator An entity primarily responsible for making the resource Folk Instrumental Ensemble A. Ivanov Publisher An entity responsible for making the resource available Aprelevskii Zavod Medium The material or physical carrier of the resource. 1 sound disc : analog, 78 rpm record, 10 in. Type The nature or genre of the resource Sound recording https://collections.ukrfolk.ca/files/original/791ad6f190ca0dc2bc2068be5dbc2d49.jpg 9e238fbcb6532470b0e01da05709f763 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ukrainian music on 78 rpm records collection Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Issue # Used primarily for phonograph records. 3666 A 14533 Physical condition Good condition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context UF2002.023.g008 Title A name given to the resource C.C.Ukraine Speech of Rev. J Hawryliuk (in Ukrainian Language) Creator An entity primarily responsible for making the resource Hawryluk, Rev. Ivan Publisher An entity responsible for making the resource available CBC Medium The material or physical carrier of the resource. 1 sound disc : analog, 78 rpm record, 12 in. Type The nature or genre of the resource Sound recording https://collections.ukrfolk.ca/files/original/1e6aef9ecc7f6d140e19de7e765e484c.jpg fd1cbe81b3162c61259073f345f5d5bf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Artifacts Collection Description An account of the resource The Bohdan Medwidsky Ukrainian Folklore Archives (BMUFA) hosts a diverse collection of artifacts showcasing the multifaceted cultural heritage of Ukraine and its diaspora in Canada. This repository houses more than 400 objects categorized into two primary groups. The first category comprises an assortment of souvenirs sourced from Ukraine, ranging from tobacco pipes and Hutsul hatchets to intricately designed jewelry boxes and fridge magnets. The second group encompasses handcrafted pieces by Ukrainian Canadians, featuring motifs such as Easter eggs (pysanky) and ceramic artworks. Notably, the collection includes badges and pins associated primarily with local Canadian dance ensembles. This collection highlights a series of ceramics exhibiting patterns reminiscent of cross-stitching, prevalent in North America during the 1960s. These ornate works, adorned with pasted embroidery, vary from children's toys to functional household items like dishes and sizable vases. Possessing such pieces symbolized a sense of national belonging, fostering a connection with Ukrainian culture across generations of Ukrainian Canadians. Easter, a significant celebration for Ukrainians and Ukrainian Canadians, is marked by the tradition of painting pysanky. The BMUFA holds a diverse collection of these intricately adorned eggs, ranging from traditional symbolic designs on chicken eggs to more unconventional examples, such as carvings on ostrich eggs. One extraordinary instance includes five goose eggs utilized by Lorenz Kenakin to depict portraits of Cossack hetmans, heroic figures from 16th to 18th-century Ukrainian history. BMUFA Artifact Collection remains ongoing, periodically enriched with new descriptions and additions. Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1920-2020 Extent The size or duration of the resource. 315 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Materials wood plaster; plastic Physical Dimensions The actual physical size of the original image overall: 29 cm x 25.5 cm x 12.5 cm Location The actual location of the item Artifacts: Case 4, Shelf 2, Box 28 Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2011.094.a001 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource C.F.C.W. duclimer contest. First place Description An account of the resource Wooden award for first place to Andriy Nahachewsky. Presented by Park Hotel Edmonton. https://collections.ukrfolk.ca/files/original/021830a6686be5435a4986ae54675ee8.JPG 443514822085a0a0566700b41140e3aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.023.a001 Décor colours gold Physical Dimensions The actual physical size of the original image overall: 69.5 cm x 84 cm Place created Central America: Honduras Location The actual location of the item Textiles: Case 2, Shelf 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 1 item Type The nature or genre of the resource T-Shirt Title A name given to the resource Camp T-shirt Description An account of the resource Navy blue children's camp T-shirt with gold screen-printed graphic depicting a circle filled with words. In the centre of the circle at a slight diagonal are the words “Pokrova Покрова” and are bordered by two gold lines above and below the words. At the bottom of the circle, two people sitting. One is sitting sideways, pointing up at the words, and the other is sitting with their legs dangling down. Above the circle gold lettering reads “15th Anniversary” and below is gold lettering reads “July 16-20”. Size: M. Manufactured by "The Authentic T-shirt Company (ATC)", Honduras. Creator An entity primarily responsible for making the resource The Authentic T-shirt Company (ATC) Source A related resource from which the described resource is derived Pokrova https://collections.ukrfolk.ca/files/original/eb0cb3e272e69ca80e73063c03860501.JPG 6c682d22764aa9933b17c9f9210d7cbf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.023.a002 Field colours grey Décor colours white Physical Dimensions The actual physical size of the original image overall: 62 cm x 81 cm Place created North America: Mexico Location The actual location of the item Textiles: Case 2, Shelf 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 1 item Type The nature or genre of the resource T-Shirt Title A name given to the resource Camp T-shirt Description An account of the resource Grey children's camp t-shirt depicting white screen printed outlines of three people wearing knight helmets. The person on the viewer’s left has a braid, the middle person is holding a sword downward, and the third person is facing the centre. Below the three outlined figures is bold white lettering that reads “Pokrova”. Below is a smaller lettering reading “Покрова July 21-25 2014” [Pokrova July 21-25 2014], “children’s Ukrainian arts camp”. Size: L. Manufactured by Alstyle, Mexico. Creator An entity primarily responsible for making the resource Alstyle Source A related resource from which the described resource is derived Pokrova https://collections.ukrfolk.ca/files/original/441998f0fbef22635d79f31c92104e59.JPG 7a7f6194e6b40fb3787b3041668f3861 https://collections.ukrfolk.ca/files/original/124ce12975fe99c65390254d764a5134.JPG 1859d2bda4343b32e7129c5506443324 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.023.a003 Field colours red Décor colours white Physical Dimensions The actual physical size of the original image overall: 61 cm x 77 cm Place created Central America: Nicaragua Location The actual location of the item Textiles: Case 2, Shelf 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 1 item Type The nature or genre of the resource T-Shirt Title A name given to the resource Camp T-shirt Description An account of the resource Red children's camp T-shirt with white screen-printed lettering down the center, and a column of patterned shapes down the viewer’s left side. The words are separated into three segments one above the other. The first segment at the top says “POKROVA KOLOMYIKA CANADA”. The centre segment says “CHILDRENS’ UKRANIAN ARTS CAMP JULY 17 – 21,2023 OTTAWA, CANADA”. The bottom segment says “Коломийка Канада Покрова” [Kolomyika Canada Pokrova]. In the centre of the verso is a white flower in a slightly abstract style. Size: XL. Manufactured by Gildan, Nicaragua. Creator An entity primarily responsible for making the resource Gildan Source A related resource from which the described resource is derived Pokrova https://collections.ukrfolk.ca/files/original/15a561ad5c445124761bc1bd20f0731f.JPG fe0baeb259bb823bdfdbb5b411de68b9 https://collections.ukrfolk.ca/files/original/6a6cb3e9be01f997345afcf842727b58.JPG a33b0e41fa0a6657ee9ccc3e1df9971f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BMUFA Textiles Collection Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Clothing and Textiles Collection Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 1900-2020 Description An account of the resource Textiles are used for keeping warm and for producing useful objects, but they are also cultural artifacts that can speak powerfully about the people who made and used them, as well as about the cultural context. The BMUFA Textile Collection is eclectic, exemplifying a broad variety of items, contexts, and uses, whose main common feature is that they can be understood as symbolically Ukrainian. The collection thereby includes a number of cloths and garments that originate in traditional villages in Ukraine, part of the older vernacular culture, being hand woven, sewn, and embroidered to make them more beautiful for everyday or holiday occasions. They are no longer used in this way and have become "heritage," thought of primarily as artifacts illustrating Ukrainian regional embroidery patterns and clothing styles. Some of these garments and cloths were transported to Canada during the first wave of immigration 1891-1914, others came with immigrants of later waves or were bought more recently by Canadian tourists in Ukraine who acquired them as beautiful heritage objects. A larger part of the collection consists of textiles made specifically as ethnic symbols, either in Ukraine, Canada, or elsewhere. A large collection of Ukrainian Canadian embroidered and woven pillowcases, for example, was made purposefully to beautify and to Ukrainianize Ukrainian Canadian homes. Documented and researched extensively by Larisa Sembaliuk Cheladyn, such embroidery work was encouraged by the leadership of the Ukrainian national movement in Canada and internationally, through magazines, community workshops, and by word of mouth. Thousands of pillowcases and embroidery samplers were created by women all across Canada and throughout the twentieth century as expressive ethnic and art objects. This collection contains a wide variety of patterns and styles, technological and aesthetic concerns. Other items made explicitly as ethnic symbols include theatrical costumes for Ukrainian staged-folk dance, for New Year’s celebration performances (Malanka), or for elegant balls. The textile collection is also quite rich in ethnic pop culture textiles, including T-shirts and baseball caps emblazoned with a variety of Ukrainian themes, faux-embroidery printed tablecloths, and other commercial and kitsch products of the ethnic revival in North America. The collection is particular in that it has assembled clusters of items from single individuals or families, such as Elizabeth Holinaty, a renowned weaver, reconstructor, and textile artist in Edmonton; the Onufrijchuk family of Yorkton and Winnipeg, who were engaged in the sub-culture of the post WW2 Ukrainian community; and several others. Each of these focuses more or less on a particular cluster of activities, aesthetic preferences, and local variations within Ukrainian Canadian culture. A few items in the BMUFA textile collection derive from the Ukrainian diaspora communities in Brazil, the former Yugoslavia, or were produced elsewhere in the international market of ethnic fare. (Description created 2022-11-18 by AN) Extent The size or duration of the resource. 726 objects Physical Object An inanimate, three-dimensional object or substance (usually artifact, textile or art object). Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Accession Number A unique number for the item in the Bohdan Medwidsky Ukrainian Folklore Archives UF2024.023.a004 Field colours red Décor colours white Physical Dimensions The actual physical size of the original image overall: 73 cm x 87 cm Place created Central America: Nicaragua Location The actual location of the item Textiles: Case 2, Shelf 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Extent The size or duration of the resource. 1 item Type The nature or genre of the resource T-Shirt Title A name given to the resource Camp T-shirt Description An account of the resource Red children's camp T-shirt with white screen-printed lettering down the centre, and a column of patterned shapes down the viewer’s left side. The words are separated into three segments one above the other. The first segment at the top says “POKROVA KOLOMYIKA KANADA”. The centre segment says “CHILDRENS’ UKRANIAN ARTS CAMP JULY 17 – 21,2023 OTTAWA, CANADA”. The bottom segment says “Коломийка Канада Покрова”. In the centre of the verso is a white flower in a slightly abstract style. Size: L. Manufactured by Gildan, Nicaragua. Creator An entity primarily responsible for making the resource Gildan Source A related resource from which the described resource is derived Pokrova